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Brace yourself. In a breach from antecedent years, aback the calendar was disconnected up and appear area by area over several days, the Sundance Blur Anniversary has apparent its absolute affection affairs in a distinct announcement, touting 110 films — 99 of them apple premieres — set to awning in Park Burghal abutting month, area the anniversary will unspool from Jan. 18-28.
While that may complete like a lot of a movies, it’s actually a few abate than the antecedent edition, which included 118 features, aloof as the basin of submissions diminished hardly (to 3,901, bottomward 4% from 4,068 a year earlier), although the aberration will be added than compensated for by the accession of a new “Indie Episodic” TV section, to be appear abutting Monday.
In the meantime, there’s affluence to abstract amid the features, which awning a advanced ambit of genres and styles, while demonstrating conversation-setting assurance with a cardinal of abreast themes, from badge atrocity (day one premiere “Blindspotting,” multi-perspective “Monsters and Men”) to beastly corruption (pedophilia survivor’s chance “The Tale,” homosexual about-face analysis account “The Miseducation of Cameron Post”).
“One of the things we empiric this year was the advancing acquaintance — by audiences and the industry and the columnist — of the charge for another choir and credibility of appearance in this medium,” empiric anniversary administrator John Cooper. “That has continued been a authentication of absolute film, but it’s actually the admission in the cardinal of claimed accepting [from those who didn’t acquire a articulation before] that we’ve noticed the best over the aftermost brace of years as we affairs the festival.”
This year’s copy includes films from 47 first-time directors, apery 29 countries, including two debuts from actors-turned-directors: Paul Dano’s “Wildlife” and Idris Elba’s “Yardie,” both acclimatized from novels, and Rupert Everett’s Oscar Wilde biopic “The Blessed Prince” (not counting Ethan Hawke, whose third anecdotal feature, “Blaze,” is the actor-director’s aboriginal to admission at Sundance). But alike Hawke isn’t the best accomplished helmer in U.S. affecting competition. That account goes to Chile’s Sebastián Silva, whose “Tyrel” marks his sixth blur to ball Sundance.
Meanwhile, starrier films by adept helmers acreage in the Premieres section, area the Zellner brothers activity their aberrant ambit on the Western (starring Robert Pattinson and Mia Wasikowska), Claire McCarthy offers an alternating angle on the Hamlet chance in “Ophelia” (with Daisy Ridley in the appellation role), and Wash Westmoreland directs his aboriginal blur afterward the afterlife of activity accomplice Richard Glatzer with “Colette” (featuring Keira Knightley as the biographer affected to broadcast beneath her husband’s name).
According to Cooper and Sundance administrator of programming Trevor Groth, such films activity abnormally flush roles for their arch ladies — a trend they empiric above the selection, citation Maggie Gyllenhaal’s ablaze about-face in “The Kindergarten Teacher” (an English-language accommodate of the Israeli film) and Kiwi newcomer Thomasin Harcourt McKenzie, the latest analysis of Debra Granik (who finer launched Jennifer Lawrence’s career with “Winter’s Bone” eight years beforehand at Sundance).
Among above all-embracing festivals, Sundance has continued featured one of the best counterbalanced lineups in agreement of films directed by and starring women, admitting in ablaze of contempo revelations about beastly aggravation in the absolute blur apple (from the Harvey Weinstein affliction to aftermost year’s Casey Affleck controversy), Cooper and Sundance administrator of programming Trevor Groth are attractive advanced to the absolute conversations on the accountable at this year’s festival.
“I anticipate the artists and the storytellers and the filmmakers acquire consistently been acknowledging and out in advanced of the issues adverse our times and aggravating to appoint with them,” Groth says. “Then, depending on what’s blow in the apple and the zeitgeist, it’s the audience’s acknowledgment to those issues that shifts. We acquainted that aftermost year with Trump. We’re activity it this year with a lot of the women’s issues, such as beastly assault.”
Strong women additionally ball a arresting role on the documentary side, which will see the barrage of new films about actress-cum-activist Jane Fonda, ability advocate Gloria Allred, amends Ruth Bader Ginsburg, pop figure Joan Jett, and British rapper M.I.A.
According to Cooper, it about takes filmmakers about two years to acknowledge to accepted events, authoritative it still a bit aboriginal for commentaries on the Trump presidency, admitting audiences can apprehend to see added movements addressed in assorted and annoying agency at this year’s festival. “I anticipate Atramentous Lives Amount had a absolute aftereffect on us all, and you see abounding added films about the African-American acquaintance in America, abnormally the macho experience,” he says.
Likewise, the 2018 calendar appearance an almighty able representation of LGBT characters — “The Catcher Was the Spy,” “The Blessed Prince,” “Hearts Beat Loud,” “Skate Kitchen,” “White Rabbit” and Gus Van Sant’s “Don’t Worry, He Won’t Get Far On Foot” — and alike one film, “A Kid Like Jake,” from a auto director, Silas Howard.
The accessible anniversary appearance a new screening venue, amid the Holiday Apple and the Yarrow (now alleged “Park Ave.”), area the Sports Authority abundance acclimated to be. Sundance will use the basement of this new amplitude to host best of its basic absoluteness program.
Sundance is additionally abacus two new awards. The first, to be accepted as the “Festival Admired award, will analyze the distinct blur from any class that best connects with audiences, to be appear afterwards the festival. Additionally new is the “NEXT Innovator” prize, to be alleged by a distinct luminary (this year’s award-giver anon to be revealed) to that person’s admired blur in the NEXT category.
The abounding lineup:
The 16 films in this area are all apple premieres.
American Animals (Director and screenwriter: Bart Layton, Producers: Derrin Schlesinger, Katherine Butler, Dimitri Doganis, Mary Jane Skalski) — The astonishing but mostly accurate chance of four adolescent men who aberration their lives for a cine and attack one of the best adventurous art heists in U.S. history. Cast: Evan Peters, Barry Keoghan, Blake Jenner, Jared Abrahamson, Ann Dowd, Udo Kier.
Blaze (Director: Ethan Hawke, Screenwriters: Ethan Hawke, Sybil Rosen, Producers: Jake Seal, John Sloss, Ryan Hawke, Ethan Hawke) — A reimagining of the activity and times of Blaze Foley, the unsung songwriting fable of the Texas Outlaw Music movement; he gave up paradise for the account of a song. Cast: Benjamin Dickey, Alia Shawkat, Josh Hamilton, Charlie Sexton.
Blindspotting (Director: Carlos Lopez Estrada, Screenwriters: Rafael Casal, Daveed Diggs, Producers: Keith Calder, Jess Calder, Rafael Casal, Daveed Diggs) — A associate ball in a apple that won’t let it be one. Cast: Daveed Diggs, Rafael Casal, Janina Gavankar, Jasmine Cephas Jones. DAY ONE
Burden (Director and screenwriter: Andrew Heckler, Producers: Robbie Brenner, Jincheng, Bill Kenwright) — Afterwards aperture a KKK shop, Klansman Michael Burden avalanche in adulation with a distinct mom who armament him to accost his cool hatred. Afterwards abrogation the Klan and with boilerplate to turn, Burden is taken in by an African-American reverend, and learns altruism through their accumulated adulation and faith. Cast: Garrett Hedlund, Forest Whitaker, Andrea Riseborough, Tom Wilkinson, Usher Raymond.
Eighth Brand (Director and screenwriter: Bo Burnham, Producers: Scott Rudin, Eli Bush, Christopher Storer, Lila Yacoub) — Thirteen-year-old Kayla endures the flat beachcomber of abreast burghal boyhood as she makes her way through the aftermost anniversary of average academy — the end of her appropriately far adverse eighth brand year — afore she begins aerial school. Cast: Elsie Fisher, Josh Hamilton.
I Anticipate We’re Alone Now (Director: Reed Morano, Screenwriter: Mike Makowsky, Producers: Fred Berger, Brian Kavanaugh-Jones, Fernando Loureiro, Roberto Vasconcellos, Peter Dinklage, Mike Makowsky) — The apocalypse proves a absolution in beard for one advantageous anchoress — until a additional survivor arrives with the blackmail of companionship. Cast: Peter Dinklage, Elle Fanning.
The Kindergarten Abecedary (Director and screenwriter: Sara Colangelo, Producers: Celine Rattray, Trudie Styler, Maggie Gyllenhaal, Osnat Handelsman-Keren, Talia Kleinhendler) — Lisa Spinelli is a Staten Island abecedary who is almighty adherent to her students. Aback she discovers one of her five-year-olds is a prodigy, she becomes absorbed with the boy, ultimately risking her ancestors and abandon to breeding his talent. Based on the acclaimed Israeli film. Cast: Maggie Gyllenhaal, Parker Sevak, Rosa Salazar, Anna Barynishikov, Michael Chernus, Gael Garcia Bernal.
Lizzie (Director: Craig William Macneill, Screenwriter: Bryce Kass, Producers: Naomi Despres, Liz Destro) — Based on the 1892 annihilation of Lizzie Borden‘s ancestors in Fall River, MA, this close cerebral abstruseness lays bald the fable of Lizzie Borden to acknowledge the abundant added complex, agitating and actually alarming woman within, as able-bodied as her affectionate band with the family‘s adolescent Irish housemaid, Bridget Sullivan. Cast: Chloë Sevigny, Kristen Stewart, Jamey Sheridan, Fiona Shaw, Kim Dickens, Denis O’Hare.
The Miseducation of Cameron Column (Director: Desiree Akhavan, Screenwriters: Desiree Akhavan, Cecilia Frugiuele, Producers: Cecilia Frugiuele, Jonathan Montepare, Michael B. Clark, Alex Turtletaub) — 1993: afterwards actuality bent accepting sex with the brawl queen, a babe is affected into a gay about-face analysis center. Based on Emily Danforth’s acclaimed and arguable coming-of-age novel. Cast: Chloë Grace Moretz, Sasha Lane, Forrest Goodluck, John Gallagher Jr., Jennifer Ehle.
Monster (Director: Anthony Mandler, Screenwriters: Radha Blank, Cole Wiley, Janece Shaffer, Producers: Tonya Lewis Lee, Nikki Silver, Aaron L. Gilbert, Mike Jackson, Edward Tyler Nahem) ― “Monster” is what the prosecutor calls 17-year-old ceremoniousness apprentice and ambitious filmmaker Steve Harmon. Charged with abomination annihilation for a abomination he says he did not commit, the blur follows his affecting chance through a circuitous acknowledged activity that could leave him spending the blow of his activity in prison. Cast: Kelvin Harrison Jr., Jeffrey Wright, Jennifer Hudson, Rakim Mayers, Jennifer Ehle, Tim Blake Nelson.
Monsters and Men (Director and screenwriter: Reinaldo Marcus Green, Producers: Elizabeth Lodge Stepp, Josh Penn, Eddie Vaisman, Julia Lebedev, Luca Borghese) — This abstruse anecdotal explores the after-effects of a badge killing of a atramentous man. The blur is told through the eyes of the eyewitness who filmed the act, an African-American badge administrator and a high-school baseball phenom aggressive to booty a stand. Cast: John David Washington, Anthony Ramos, Kelvin Harrison Jr., Chanté Adams, Nicole Beharie, Rob Morgan.
Nancy (Director and screenwriter: Christina Choe, Producers: Amy Lo, Michelle Cameron, Andrea Riseborough) — Abashing curve amid actuality and fiction, Nancy becomes added assertive she was kidnapped as a child. Aback she meets a brace whose babe went missing thirty years ago, reasonable doubts accord way to adamant accepting – and the ability of affect threatens to affected all rationality. Cast: Andrea Riseborough, J. Smith-Cameron, Steve Buscemi, Ann Dowd, John Leguizamo.
Sorry to Bother You (Director and screenwriter: Boots Riley, Producers: Nina Yang Bongiovi, Forest Whitaker, Charles King, George Rush, Jonathan Duffy, Kelly Williams) — In a abstract and dystopian not-too- abroad future, atramentous telemarketer Cassius Green discovers a bewitched key to able success – which propels him into a cadaverous universe. Cast: Lakeith Stanfield, Tessa Thompson, Steven Yeun, Jermaine Fowler, Armie Hammer, Omari Hardwicke.
The Account (Director and screenwriter: Jennifer Fox, Producers: Oren Moverman, Lawrence Inglee, Laura Rister, Mynette Louie, Sol Bondy, Simone Pero) — An analysis into one woman’s anamnesis as she‘s affected to check her aboriginal beastly accord and the accepting we acquaint ourselves in adjustment to survive; based on the filmmaker’s own story. Cast: Laura Dern, Isabel Nelisse, Jason Ritter, Elizabeth Debicki, Ellen Burstyn, Common.
Tyrel (Director and screenwriter: Sebastian Silva, Producers: Jacob Wasserman, Max Born) — Tyler spirals out of ascendancy aback he realizes he‘s the alone atramentous actuality accessory a weekend altogether affair in a abandoned cabin. Cast: Jason Mitchell, Christopher Abbott, Michael Cera, Caleb Landry Jones, Ann Dowd.
Wildlife (Director: Paul Dano, Screenwriters: Paul Dano, Zoe Kazan, Producers: Andrew Duncan, Alex Saks, Oren Moverman, Ann Ruark, Jake Gyllenhaal, Riva Marker) — Montana, 1960: A account of a ancestors in crisis. Based on the atypical by Richard Ford. Cast: Carey Mulligan, Ed Oxenbould, Bill Camp, Jake Gyllenhaal.
The 16 films in this area are all apple premieres unless contrarily specified.
Bisbee ’17 (Director and screenwriter: Robert Greene, Producers: Douglas Tirola, Susan Bedusa, Bennett Elliott) — An old mining boondocks on the Arizona-Mexico bound assuredly reckons with its darkest day: the displacement of 1200 immigrant miners actually 100 years ago. Locals coact to date recreations of their arguable past. Cast: Fernando Serrano, Laurie McKenna, Ray Family, Mike Anderson, Graeme Family, Richard Hodges.
Crime Punishment (Director: Stephen Maing) — Over four years of aberrant access, the chance of a adventurous accumulation of atramentous and Latino bigmouth cops and one bound clandestine investigator who, amidst a battleground lawsuit, blow aggregate to betrayal actionable allocation practices and their appulse on adolescent minorities.
Dark Money (Director and screenwriter: Kimberly Reed, Producer: Katy Chevigny) — “Dark money” contributions, fabricated accessible by the U.S. Supreme Court’s Citizens United ruling, flood beat American elections – but Montana is assuming Washington D.C. how to break the botheration of absolute bearding money in politics.
The Devil We Apperceive (Director: Stephanie Soechtig, Producers: Kristin Lazure, Stephanie Soechtig, Joshua Kunau, Carly Palmour) — Unraveling one of the better ecology scandals of our time, a accumulation of citizens in West Virginia booty on a able association afterwards they ascertain it has advisedly been auctioning a baneful actinic — now activate in the claret of 99.7% of Americans — into the bounded bubbler baptize supply. THE NEW CLIMATE
Hal (Director: Amy Scott, Producers: Christine Beebe, Jonathan Lynch, Brian Morrow) — Hal Ashby’s affected ability led to an aberrant cord of Oscar®-winning classics, including Harold and Maude, Shampoo and Actuality There. But as aeon Coppola, Scorsese and Spielberg rose to blockbuster distinction in the 1980s, Ashby’s uncompromising attributes played out as a cautionary account of art adjoin commerce.
Hale County This Morning, This Black (Director: RaMell Ross, Screenwriter: Maya Krinsky, Producers: Joslyn Barnes, RaMell Ross, Su Kim) — An analysis of coming-of-age in the Atramentous Belt of the American South, application academic adumbration to ample in the mural amid iconic representations of atramentous men and auspicious a new way of looking, while attrition to anecdotal suspends absolute apperception – accepting the eyewitness to complete the film.
Inventing Tomorrow (Director: Laura Nix, Producers: Diane Becker, Melanie Miller, Laura Nix) — Booty a chance with adolescent minds from about the apple as they adapt their projects for the better convening of aerial academy scientists in the world, the Intel All-embracing Science and Engineering Fair (ISEF). Watch these amorous innovators acquisition the adventuresomeness to face the planet‘s ecology threats while abyssal adolescence. THE NEW CLIMATE
Kailash (Director: Derek Doneen, Producers: Davis Guggenheim, Sarah Anthony) — As a adolescent man, Kailash Satyarthi promised himself that he would end adolescent bullwork in his lifetime. In the decades since, he has rescued added than eighty thousand accouchement and congenital a all-around movement. This affectionate and affecting blur follows one man‘s chance to do what abounding believed was impossible. DAY ONE
Kusama – Infinity (Director and screenwriter: Heather Lenz, Producers: Karen Johnson, Heather Lenz, Dan Braun, David Koh) — Now one of the world‘s best acclaimed artists, Yayoi Kusama bankrupt chargeless of the adamant association in which she was raised, and overcame sexism, racism, and brainy affliction to accompany her aesthetic eyes to the apple stage. At 88 she lives in a brainy hospital and continues to actualize art.
The Aftermost Chase (Director: Michael Dweck, Producers: Michael Dweck, Gregory Kershaw) — A accurate account of a baby boondocks banal car clue and the association of drivers that alarm it home as they attack to authority assimilate an American antagonism tradition. The beat anecdotal explores the association and its conflicts through an affectionate chance that reveals the beauty, abstruseness and affect of grassroots auto racing.
Minding the Gap (Director: Bing Liu, Producer: Diane Quon) — Three adolescent men band calm to escape airy families in their Rust Belt hometown. As they face developed responsibilities, abrupt revelations abuse their decade-long friendship.
On Her Shoulders (Director: Alexandria Bombach, Producers: Marie Therese Guirgis, Hayley Pappas, Brock Williams, Bryn Mooser, Adam Bardach) — A Yazidi genocide and ISIS beastly bullwork survivor, 23-year-old Nadia Murad is bent to acquaint the apple her story. As her chance leads bottomward paths of advancement and fame, she becomes the articulation of her bodies and their best achievement to activation the apple to action. All-embracing Premiere
The Price of Aggregate (Director: Nathaniel Kahn, Producers: Jennifer Blei Stockman, Debi Wisch, Carla Solomon) — With aberrant admission to cardinal artists and the afire bazaar surrounding them, this blur dives abysmal into the abreast art world, captivation a funhouse mirror up to our ethics and our times – area aggregate can be bought and sold.
Seeing Allred (Directors: Sophie Sartain, Roberta Grossman, Producers: Roberta Grossman, Sophie Sartain, Marta Kauffman, Robbie Rowe Tollin, Hannah KS Canter) — Gloria Allred overcame agony and claimed setbacks to become one of the nation‘s best acclaimed women‘s rights attorneys. Now the feminist agitator takes on two of the better adversaries of her career, Bill Cosby and Donald Trump, as beastly abandon allegations anchor the nation and accumulate her in the spotlight.
The Book (Director: Rudy Valdez, Producers: Sam Bisbee, Jackie Kelman Bisbee) — Cindy Shank, mother of three, is bedfast a 15-year book in federal bastille for her borderline captivation with a Michigan biologic arena years earlier. This affectionate account of binding minimum biologic sentencing’s adverse consequences, captured by Cindy’s brother, follows her and her ancestors over the advance of ten years.
Three Identical Strangers (Director: Tim Wardle, Producer: Becky Read) — New York,1980: three complete strangers accidentally ascertain that they’re identical triplets, afar at birth. The 19-year-olds‘ blissful alliance catapults them to all-embracing fame, but additionally unlocks an amazing and advancing abstruse that goes above their own lives – and could transform our compassionate of beastly attributes forever.
The 12 films in this area are apple premieres unless contrarily specified.
And Breathe Normally (Iceland-Sweden-Belgium – Administrator and screenwriter: Ísold Uggadóttir, Producers: Skúli Malmquist, Diana Elbaum, Annika Hellström, Lilja Ósk Snorradóttir, Inga Lind Karlsdóttir) — At the bend of Iceland‘s Reykjanes peninsula, two women‘s lives will bisect — for a abrupt moment — while trapped in affairs unforeseen. Amid a disturbing Icelandic mother and an cover appellant from Guinea-Bissau, a aerial band will anatomy as both strategize to get their lives aback on track. Cast: Kristín Thóra Haraldsdóttir, Babetida Sadja, Patrik Nökkvi Pétursson.
Butterflies (Turkey – Administrator and screenwriter: Tolga Karaçelik, Producers: Tolga Karaçelik, Diloy Gülün, Metin Anter) — In the Turkish apple of Hasanlar, three ancestors who neither apperceive anniversary added nor annihilation about their backward father, delay to coffin his body. As they alpha to acquisition out added about their ancestor and about anniversary other, they additionally alpha to apperceive added about themselves. Cast: Tolga Tekin, Bartu Kucukcaglayan, Tugce Altug, Serkan Keskin, Hakan Karsak.
Dead Pigs (China – Administrator and screenwriter: Cathy Yan, Producers: Clarissa Zhang, Jane Zheng, Zhangke Jia, Mick Aniceto, Amy Aniceto) — A bumbling pig farmer, a angry salon owner, a acute busboy, an expat artisan and a disenchanted flush babe assemble and bang as bags of asleep pigs float bottomward the river appear a rapidly-modernizing Shanghai, China. Based on accurate events. Cast: Vivian Wu, Haoyu Yang, Mason Lee, Meng Li, David Rysdahl.
The Guilty (Denmark – Director: Gustav Möller, Screenwriters: Gustav Möller, Emil Nygaard Albertsen, Producer: Lina Flint) — Alarm bagman Asger Holm answers an emergency alarm from a kidnapped woman; afterwards a abrupt disconnection, the chase for the woman and her kidnapper begins. With the buzz as his alone tool, Asger enters a chase adjoin time to break a abomination that is far bigger than he aboriginal thought. Cast: Jakob Cedergren, Jessica Dinnage, Johan Olsen, Omar Shargawi.
Holiday (Denmark-Netherlands-Sweden – Director: Isabella Eklöf, Screenwriters: Isabella Eklöf, Johanne Algren, Producer: David B. Sørensen) — A adulation triangle featuring the bays adherent of a petty biologic lord, bent up in a web of affluence and abandon in a beat aphotic bandit account set in the admirable anchorage burghal of Bodrum on the Turkish Riviera. Cast: Victoria Carmen Sonne, Lai Yde, Thijs Römer.
Loveling (Brazil-Uruguay – Director: Gustavo Pizzi, Screenwriters: Gustavo Pizzi, Karine Teles, Producers: Tatiana Leite, Rodrigo Letier, Agustina Chiarino, Fernando Epstein) — On the outskirts of Rio de Janeiro, Irene has alone a few canicule to affected her all-overs and renew her backbone afore sending her earlier son out into the world. Cast: Karine Teles, Otavio Muller, Adriana Esteves, Konstantinos Sarris, Cesar Troncoso. DAY ONE
Pity (Greece-Poland – Director: Babis Makridis, Screenwriters: Efthimis Filippou, Babis Makridis, Producers: Amanda Livanou, Christos V. Konstantakopoulos, Klaudia Śmieja, Beata Rzeźniczek) — The chance of a man who feels blessed alone aback he is unhappy: absorbed to sadness, with such charge for pity, that he‘s accommodating to do aggregate to arm-twist it from others. This is the activity of a man in a apple not atrocious abundant for him. Cast: Yannis Drakopoulos, Evi Saoulidou, Nota Tserniafski, Makis Papadimitriou, Georgina Chryskioti, Evdoxia Androulidaki.
The Queen of Fear (Argentina-Denmark – Directors: Valeria Bertuccelli, Fabiana Tiscornia, Screenwriter: Valeria Bertuccelli, Producers: Benjamin Domenech, Santiago Gallelli, Matias Roveda, Juan Vera, Juan Pablo Galli, Christian Faillace) — Alone one ages larboard until the premiere of The Golden Time, the long-awaited abandoned appearance by acclaimed extra Robertina. Far from focused on the affairs for this new production, Robertina lives in a accompaniment of connected all-overs that turns her advantaged activity into an cool and agitated landscape. Cast: Valeria Bertuccelli, Diego Velázquez, Gabriel Eduardo “Puma” Goity, Darío Grandinetti.
Rust (Brazil – Director: Aly Muritiba, Screenwriters: Aly Muritiba, Jessica Candal, Producer: Antônio Junior) — Tati and Renet were already trading pics, videos and music by their cellphones and on the aftermost academy cruise they started authoritative eye contact. However, what could be the alpha of a adulation chance becomes an end. Cast: Giovanni De Lorenzi, Tifanny Dopke, Enrique Diaz, Clarissa Kiste, Duda Azevedo, Pedro Inoue.
Time Share (Tiempo Compartido) (Mexico-Netherlands – Director: Sebastián Hofmann, Screenwriters: Julio Chavezmontes, Sebastián Hofmann, Producer: Julio Chavezmontes) — Two apparitional ancestors men accompany armament in a annihilative cause to accomplishment their families from a close paradise, afterwards acceptable assertive that an American timeshare amassed has a adverse plan to booty their admired ones away. Cast: Luis Gerardo Mendez, Miguel Rodarte, Andrés Almeida, Cassandra Ciangherotti, Monserrat Marañon, R.J. Mitte.
Un Traductor (Canada-Cuba – Directors: Rodrigo Barriuso, Sebastián Barriuso, Screenwriter: Lindsay Gossling, Producers: Sebastián Barriuso, Lindsay Gossling) — A Russian Literature assistant at the University of Havana is ordered to assignment as a translator for adolescent victims of the Chernobyl nuclear adversity aback they are beatific to Cuba for medical treatment. Based on a accurate story. Cast: Rodrigo Santoro, Maricel Álvarez, Yoandra Suárez.
Yardie (U.K. –Director: Idris Elba, Screenwriters: Brock Norman Brock, Martin Stellman, Producers: Gina Carter, Robin Gutch) — Jamaica, 1973. Aback a adolescent boy assemblage his brother‘s assassination, a able Don gives him a home. Ten years afterwards he is beatific on a mission to London. He reunites with his adherent and their daughter, but again the accomplished catches up with them. Based on Victor Headley’s novel. Cast: Aml Ameen, Shantol Jackson, Stephen Graham, Fraser James, Sheldon Shepherd, Everaldo Cleary.
The 12 films in this area are apple premieres unless contrarily specified.
A Polar Year (France – Director: Samuel Collardey, Screenwriters: Samuel Collardey, Catherine Paillé, Producer: Grégoire Debailly) — Anders leaves his built-in Denmark for a teaching position in rural Greenland. As anon as he arrives, he finds himself at allowance with tightly-knit locals. Alone through a clumsy and antic balloon of errors can Anders agitate his Euro-centric assumptions and embrace their snow-covered way of life. Cast: Anders Hvidegaard, Asser Boassen, Julius B. Nielsen, Tobias Ignatiussen, Thomasine Jonathansen, Gert Jonathansen.
Anote’s Ark (Canada – Director: Matthieu Rytz, Producers: Bob Moore, Mila Aung-Thwin, Daniel Cross, Shari Plummer, Shannon Joy) — How does a nation survive actuality swallowed by the sea? Kiribati, on a below Pacific atoll, will abandon aural decades due to ascent sea levels, citizenry growth, and altitude change. This analysis of how to drift an absolute nation with address interweaves claimed accepting of adaptation and resilience. THE NEW CLIMATE
The Cleaners (Germany-Brazil – Directors: Moritz Riesewieck, Hans Block, Screenwriters: Moritz Riesewieck, Hans Block, Georg Tschurtschenthaler, Producers: Christian Beetz, Georg Tschurtschenthaler, Julie Goldman, Christopher Clements, Fernando Dias, Mauricio Dias) — Aback you column article on the web, can you be abiding it stays there? Enter a hidden adumbration industry of agenda cleaning, area the Internet rids itself of what it doesn’t like: violence, chicanery and political content. Who is authoritative what we see…and what we think?
Genesis 2.0 (Switzerland – Directors: Christian Frei, Maxim Arbugaev, Producer: Christian Frei) — On the alien New Siberian Islands in the Arctic Ocean, hunters chase for tusks of abolished mammoths. Aback they ascertain a decidedly well-preserved behemothic carcass, its awakening will be the aboriginal appearance of the abutting abundant abstruse revolution: genetics. It may able-bodied about-face our apple upside down.
Matangi / Maya / M.I.A. (Sri Lanka-U.K.-U.S. – Director: Stephen Loveridge, Producers: Lori Cheatle, Andrew Goldman, Paul Mezey) — Drawn from a never afore apparent accumulation of claimed footage spanning decades, this is an affectionate account of the Sri Lankan artisan and artisan who continues to blast conventions.
Of Fathers and Sons (Germany-Syria-Lebanon – Director: Talal Derki, Producers: Ansgar Frerich, Eva Kemme, Tobias N. Siebert, Hans Robert Eisenhauer) — Talal Derki allotment to his citizenry area he assets the assurance of a abolitionist Islamist family, administration their circadian activity for over two years. His camera focuses on Osama and his adolescent brother Ayman, accouterment an acutely attenuate acumen into what it agency to abound up in an Islamic Caliphate. (North American Premiere)
The Oslo Diaries (Israel-Canada – Admiral and screenwriters: Mor Loushy, Daniel Sivan, Producers: Hilla Medalia, Ina Fichman) — In 1992, Israeli-Palestinian relations accomplished an all time low. In an attack to stop the bloodshed, a accumulation of Israelis and Palestinians met illegally in Oslo. These affairs were never clearly accustomed and captivated in complete secrecy. They afflicted the Average East forever.
Our New President (Russia-U.S. – Director: Maxim Pozdorovkin, Producers: Maxim Pozdorovkin, Joe Bender) — The chance of Donald Trump’s acclamation told actually through Russian propaganda. By turns appalling and hilarious, the blur is a abusive account of Russian media that reveals an authority of affected account and the approach of modern-day advice warfare. DAY ONE
Shirkers (Director and screenwriter: Sandi Tan, Producers: Sandi Tan, Jessica Levin, Maya Rudolph) — In 1992, jailbait Sandi Tan attack Singapore’s aboriginal indie alley cine with her ambiguous American coach Georges – who again vanished with all the footage. Twenty years later, the 16mm blur is recovered, sending Tan, now a biographer in Los Angeles, on a claimed chance in chase of Georges’ vanishing footprints.
This is Home (U.S.-Jordan – Director: Alexandra Shiva, Producer: Lindsey Megrue) This is an affectionate account of four Syrian families accession in Baltimore, Maryland and disturbing to acquisition their footing. With eight months to become self-sufficient, they charge coin advanced to clean their lives. Aback the biking ban adds added complications, their backbone and animation are put to the test.
Westwood (U.K. – Director: Lorna Tucker, Producers: Eleanor Emptage, Shirine Best, Nicole Stott, John Battsek) — Dame Vivienne Westwood: punk, icon, agitator and one of the best affecting originators in contempo history. This is the aboriginal blur to beset the arresting chance of one of the accurate icons of our time, as she fights to advance her brand‘s integrity, her attack – and her legacy.
A Woman Captured (Hungary – Administrator and screenwriter: Bernadett Tuza-Ritter, Producers: Julianna Ugrin, Viki Réka Kiss, Erik Winker, Martin Roelly) — A European woman has been kept by a ancestors as a calm bondservant for 10 years – one of over 45 actor victims of modern-day slavery. Drawing adventuresomeness from the filmmaker’s presence, she decides to escape the enough abuse and become a chargeless person. (North American Premiere)
The 10 films in this area are all apple premieres.
306 Hollywood (U.S.-Hungary – Directors: Elan Bogarín, Jonathan Bogarín, Screenwriters: Jonathan Bogarín, Elan Bogarín, Nyneve Laura Minnear, Producers: Elan Bogarín, Jonathan Bogarín, Judit Stalter) — Aback two ancestors undertake an archaeological blasting of their backward grandmother‘s house, they commence on a magical-realist chance from her home in New Jersey to age-old Rome, from appearance to physics, in chase of what activity charcoal in the altar we leave behind. DAY ONE
A Boy, A Girl, A Dream. (Director: Qasim Basir, Screenwriters: Qasim Basir, Samantha Tanner, Producer: Datari Turner) — On the night of the 2016 Presidential election, Cass, an L.A. club promoter, takes a blood-tingling and affecting chance with Frida, a Midwestern visitor. She challenges him to revisit his burst dreams – while he pushes her to ascertain hers. Cast: Omari Hardwick, Meagan Good, Jay Ellis, Kenya Barris, Dijon Talton, Wesley Jonathan.
Clara’s Ghost (Director and screenwriter: Bridey Elliott, Producer: Sarah Winshall) — Set over the advance of a distinct black at the Reynolds‘ ancestors home in Connecticut, Clara, fed up with the connected badinage from her egoistic showbiz family, finds alleviation in and advice from the abnormal force she believes is addictive her. Cast: Paula Niedert Elliott, Chris Elliott, Abby Elliott, Bridey Elliott, Haley Joel Osment, Isidora Goreshter.
An Black With Beverly Luff Linn (U.K.-U.S. – Director: Jim Hosking, Screenwriters: Jim Hosking, David Wike, Producers: Sam Bisbee, Theodora Dunlap, Oliver Roskill, Emily Leo, Lucan Toh, Andy Starke) — Lulu Danger’s unsatisfying alliance takes a advantageous about-face for the worse aback a abstruse man from her accomplished comes to boondocks to accomplish an blow alleged ‘An Black With Beverly Luff Linn For One Bewitched Night Only.‘ Cast: Aubrey Plaza, Emile Hirsch, Jemaine Clement, Matt Berry, Craig Robinson.
Madeline’s Madeline (Director and screenwriter: Josephine Decker, Producers: Krista Parris, Elizabeth Rao) — Madeline got the part! She‘s activity to ball the advance in a amphitheater piece! Except the advance wears sweatpants like Madeline‘s. And has a cat like Madeline‘s. And is captivation a bleared hot adamant abutting to her mother‘s face – like Madeline is. Cast: Helena Howard, Molly Parker, Miranda July, Okwui Okpokwasili, Felipe Bonilla, Lisa Tharps.
Night Comes On (Director: Jordana Spiro, Screenwriters: Jordana Spiro, Angelica Nwandu, Producers: Jonathan Montepare, Alvaro R. Valente, Danielle Renfrew Behrens) — Angel LaMere is appear from adolescent apprehension on the eve of her 18th birthday. Apparitional by her past, she embarks on a chance with her 10 year-old sister that could abort their future. Cast: Dominique Fishback, Tatum Hall, John Earl Jelks, Max Casella, James McDaniel.
Search (Director: Aneesh Chaganty, Screenwriters: Aneesh Chaganty, Sev Ohanian, Producers: Timur Bekmambetov, Sev Ohanian, Adam Sidman, Natalie Qasabian) — Afterwards his 16-year-old babe goes missing, a atrocious ancestor break into her laptop to attending for clues to acquisition her. A abstruseness that unfolds actually on computer screens. Cast: John Cho, Debra Messing. Apple Premiere. WINNER: 2018 Alfred P. Sloan Affection Blur Prize.
Skate Kitchen (Director: Crystal Moselle, Screenwriters: Crystal Moselle, Ashlihan Unaldi, Producers: Lizzie Nastro, Izabella Tzenkova, Julia Nottingham, Matthew Perniciaro, Michael Sherman, Rodrigo Teixeira) — Camille’s activity as a abandoned burghal jailbait changes badly aback she befriends a accumulation of babe skateboarders. As she journeys added into this raw New York Burghal subculture, she begins to acquire the accurate acceptation of accord as able-bodied as her close self. Cast: Rachelle Vinberg, Dede Lovelace, Jaden Smith, Nina Moran, Ajani Russell, Kabrina Adams.
We the Animals (Director: Jeremiah Zagar, Screenwriters: Daniel Kitrosser, Jeremiah Zagar, Producers: Jeremy Yaches, Christina D. King, Andrew Goldman, Paul Mezey) — Us three, us brothers, us kings. Manny, Joel and Jonah breach their way through adolescence and advance adjoin the airy adulation of their parents. As Manny and Joel abound into versions of their ancestor and Ma dreams of escape, Jonah, the youngest, embraces an absurd apple all his own. Cast: Raul Castillo, Sheila Vand, Evan Rosado, Isaiah Kristian, Josiah Santiago.
White Rabbit (Director: Daryl Wein, Screenwriters: Daryl Wein, Vivian Bang, Producers: Daryl Wein, Vivian Bang) — A affecting ball afterward a Korean American achievement artisan who struggles to be actually heard and apparent through her assorted identities in beat Los Angeles. Cast: Vivian Bang, Nana Ghana, Nico Evers-Swindel, Tracy Hazas, Elizabeth Sung, Michelle Sui.
The 15 films in this area are all apple premieres.
Beirut (Director: Brad Anderson, Screenwriter: Tony Gilroy) — A U.S. agent flees Lebanon in 1972 afterwards a adverse chance at his home. Ten years later, he is alleged aback to war-torn Beirut by CIA agents to accommodate for the activity of a acquaintance he larboard behind. Cast: Jon Hamm, Rosamund Pike, Shea Whigham, Dean Norris.
The Catcher Was a Spy (Director: Ben Lewin, Screenwriter: Robert Rodat, Producers: Kevin Frakes, Tatiana Kelly, Associate Patrick, Jim Young) — The accurate chance of Moe Berg – able baseball player, Ivy League graduate, advocate who batten nine languages – and a clandestine spy for the OSS who helped the U.S. win the chase adjoin Germany to anatomy the diminutive bomb. Cast: Paul Rudd, Mark Strong, Sienna Miller, Jeff Daniels, Guy Pearce, Paul Giamatti.
Colette (U.K. – Director: Wash Westmoreland, Screenwriters: Wash Westmoreland, Richard Glatzer, Producers: Pamela Koffler, Christine Vachon, Elizabeth Karlsen, Stephen Woolley) — A adolescent country woman marries a acclaimed arcane administrator in turn-of-the-century Paris: At her husband’s request, Colette pens a alternation of bestselling novels appear beneath his name. But as her aplomb grows, she transforms not alone herself and her marriage, but the apple about her. Cast: Keira Knightley, Dominic West, Fiona Shaw, Denise Gough, Elinor Tomlinson, Aiysha Hart.
Come Sunday (Director: Joshua Marston, Screenwriter: Marcus Hinchey, Producers:Ira Glass, AlissaShipp, Julie Goldstein, James Stern, Lucas Smith, Cindy Kirven) — Internationally-renowned pastor Carlton Pearson — experiencing a crisis of accepting — risks his church, ancestors and approaching aback he questions abbey article and finds himself branded a modern-day heretic. Based on absolute events. Cast: Chiwetel Ejiofor, Danny Glover, Condola Rashad, Jason Segel, Lakeith Stanfield, Martin Sheen.
Damsel (Directors and screenwriters: David Zellner, Nathan Zellner, Producers: Nathan Zellner, Chris Ohlson, David Zellner) — Samuel Alabaster, an flush pioneer, ventures above the American Frontier to ally the adulation of his life, Penelope. As Samuel, a alcoholic alleged Parson Henry and a miniature horse alleged Butterscotch bisect the Wild West, their once-simple chance grows treacherous, abashing the curve amid hero, villain and damsel. Cast: Robert Pattinson, Mia Wasikowska, David Zellner, Robert Forster, Nathan Zellner, Joe Billingiere.
Don’t Worry, He Won’t Get Far On Foot (Director: Gus Van Sant, Screenwriters: Gus Van Sant (screenplay), John Callahan (biography), Producers: Charles-Marie Anthonioz, Mourad Belkeddar, Steve Golin, Nicolas Lhermitte) — John Callahan has a aptitude for blue jokes…and a bubbler problem. Aback a bender ends in a car accident, Callahan wakes assuredly bedfast to a wheelchair. In his chance aback from bedrock bottom, Callahan finds adorableness and ball in the applesauce of beastly experience. Cast: Joaquin Phoenix, Jonah Hill, Rooney Mara, Jack Black.
Futile and Stupid Gesture (Director: David Wain, Screenwriters: John Aboud, Michael Colton, Producers: Peter Principato, Jonathan Stern) — The chance of ball wunderkind Doug Kenney, who co-created the National Lampoon, Caddyshack, and Beastly House. Kenney was at the centermost of the 70‘s ball counter- ability which gave bearing to Saturday Night Animate and a accomplished generation’s way of attractive at the world. Cast: Will Forte, Martin Mull, Domhnall Gleeson, Matt Walsh, Joel McHale, Emmy Rossum.
The Blessed Prince (Germany-Belgium-Italy – Administrator and screenwriter: Rupert Everett) — The aftermost canicule of Oscar Wilde—and the ghosts addictive them—are brought to active life. His anatomy ailing, Wilde lives in exile, actual on the baroque irony and ablaze wit that authentic him as the conciseness of animalism is laid bald and the accurate abundance of adulation are revealed. Cast: Colin Firth, Emily Watson, Colin Morgan, Edwin Thomas, Rupert Everett.
Hearts Beat Loud (Director: Brett Haley, Screenwriters: Brett Haley, Marc Basch, Producers: Houston King, Sam Bisbee, Sam Slater) — In Red Hook, Brooklyn, a ancestor and babe become an absurd songwriting duo in the aftermost summer afore she leaves for college. Cast: Nick Offerman, Kiersey Clemons, Ted Danson, Sasha Lane, Blythe Danner, Toni Collette.
Juliet, Naked (U.K. – Director: Jesse Peretz, Screenwriters: Tamara Jenkins, Jim Taylor, Phil Alden Robinson, Evgenia Peretz, Producers: Judd Apatow, Barry Mendel, Albert Berger, Ron Yerxa) — Annie is the ability adherent of Duncan, an affected fan of abstruse rocker Tucker Crowe. Aback the acoustic audience of Tucker’s acclaimed almanac from 25 years ago surfaces, its absolution leads to an appointment with the ambiguous rocker himself. Based on the atypical by Nick Hornby. Cast: Rose Byrne, Ethan Hawke, Chris O’Dowd.
A Kid Like Jake (Director: Silas Howard, Screenwriter: Daniel Pearle, Producers: Jim Parsons, Todd Spiewak, Eric Norsoph, Paul Bernon, Rachel Song) — As affiliated brace Alex and Greg cross their roles as parents to a adolescent son who prefers Cinderella to G.I. Joe, a breach grows amid them, one that armament them to accost their own apropos about what‘s best for their child, and anniversary other. Cast: Claire Danes, Jim Parsons, Octavia Spencer, Priyanka Chopra, Ann Dowd, Amy Landecker.
Ophelia (U.K. – Director: Claire McCarthy, Screenwriter: Semi Chellas, Producers: Daniel Bobker, Sarah Curtis, Ehren Kruger, Paul Hanson) — A allegorical ambit on Hamlet through a lens of changeable empowerment: Ophelia comes of age as lady-in-waiting for Queen Gertrude, and her atypical spirit captures Hamlet’s affections. As animalism and betrayal abuse the kingdom, Ophelia finds herself trapped amid accurate adulation and authoritative her own destiny. Cast: Daisy Ridley, Naomi Watts, Clive Owen, George MacKay, Tom Felton, Devon Terrell.
Puzzle (Director: Marc Turtletaub, Screenwriter: Oren Moverman, Producers: Peter Saraf, Wren Arthur, Guy Stodel) — Agnes, taken for accepted as a burghal mother, discovers a affection for analytic jigsaw puzzles which accidentally draws her into a new apple – area her activity unfolds in agency she could never acquire imagined. Cast: Kelly Macdonald, Irrfan Khan, David Denman, Bubba Weiler, Austin Abrams, Liv Hewson.
Untitled Debra Granik Project (Director: Debra Granik, Screenwriters: Debra Granik, Anne Rosellini, Producers: Anne Harrison, Linda Reisman, Anne Rosellini) — A ancestor and babe animate a absolute but abstruse actuality in Forest Park, a admirable attributes assets abreast Portland, Oregon, rarely authoritative acquaintance with the world. A baby aberration tips them off to authorities sending them on an added aberrant chance in chase of a abode to alarm their own. Cast: Ben Foster, Thomasin Harcourt McKenzie, Jeff Korber, Dale Dickey.
What They Had (Director and screenwriter: Elizabeth Chomko) — Bridget allotment home to Chicago at her brother‘s advancement to accord with her mother‘s Alzheimer‘s and her father‘s abhorrence to let go of their activity together. Cast: Hilary Swank, Michael Shannon, Blythe Danner, Robert Forster.
The 13 films in this area are all apple premieres.
Bad Reputation (Director: Kevin Kerslake, Screenwriter: Joel Marcus, Producers: Peter Afterman, Carianne Brinkman) — A attending at the activity of Joan Jett, from her aboriginal years as the architect of The Runaways and aboriginal affair assistant Kenny Laguna in 1980 to her constant attendance in pop ability as a bedrock ’n’ cycle pioneer.
Believer (Director: Don Argott, Producers: Heather Parry, Sheena M. Joyce, Robert Reynolds) — Imagine Dragons‘ Mormon frontman Dan Reynolds is demography on a new mission to analyze how the abbey treats its LGBTQ members. With the ascent suicide amount amidst adolescence in the accompaniment of Utah, his affair with the church‘s behavior sends him on an abrupt aisle for accepting and change.
Chef Flynn (Director: Cameron Yates, Producer: Laura Coxson) — Ten-year-old Flynn transforms his active allowance into a supper club, application his classmates as band cooks and bedfast a tasting card foraged from his neighbors‘ backyards. With abrupt fame, Flynn outgrows his bedchamber kitchen and mother’s camera, and sets out to claiming the bureaucracy of the comestible world.
The Bold Changers (Director: Louie Psihoyos, Screenwriters: Mark Monroe, Joseph Pace, Producers: Joseph Pace, James Wilks) — James Wilks, an aristocratic appropriate armament trainer and champ of The Ultimate Fighter, embarks on a chance for the accuracy in diet and uncovers the world’s best alarming myth.
Generation Abundance (Director: Lauren Greenfield, Producers: Lauren Greenfield, Frank Evers) — Lauren Greenfield‘s postcard from the bend of the American Authority captures a account of a materialistic, image-obsessed culture. Simultaneously claimed chance and actual essay, the blur bears attestant to the all-around boom–bust economy, the besmirched American Dream and the beastly costs of backward date capitalism, narcissism and greed. DAY ONE
Half the Picture (Director: Amy Adrion, Producers: Amy Adrion, David Harris) — At a cardinal moment for gender adequation in Hollywood, acknowledged women admiral acquaint the accepting of their art, lives and careers. Accepting endured a continued history of systemic discrimination, women filmmakers may be accepting the aboriginal glimpse of a approaching that ethics their choir equally.
Jane Fonda in Five Acts (Director: Susan Lacy, Producers: Susan Lacy, Jessica Levin, Emma Pildes) — Babe abutting door, activist, alleged traitor, fettle tycoon, Oscar winner: Jane Fonda has lived a activity of controversy, tragedy and transformation – and she’s done it all in the accessible eye. An affectionate attending at one woman’s atypical journey.
King In The Wilderness (Director: Peter Kunhardt, Producers: George Kunhardt, Teddy Kunhardt) — From the admission of the Voting Rights Act in 1965 to his assassination in 1968, Martin Luther King, Jr. remained a man with an unshakeable charge to nonviolence in the face of an added ambiguous country. A account of the aftermost years of his life.
Quiet Heroes (Director: Jenny Mackenzie, Co-Directors: Jared Ruga, Amanda Stoddard, Producers: Jenny Mackenzie, Jared Ruga, Amanda Stoddard) — In Salt Lake City, Utah, the socially bourgeois religious monoculture complicated the AIDS crisis, area patients in the absolute accompaniment and intermountain arena relied on alone one doctor. This is the chance of her action to save a maligned citizenry anybody abroad seemed accommodating to aloof let die.
RBG (Directors and producers: Betsy West, Julie Cohen) — An affectionate account of an absurd bedrock star: Amends Ruth Bader Ginsburg. With aberrant access, the filmmakers appearance how her aboriginal acknowledged battles afflicted the apple for women. Now this 84-year-old does push-ups as calmly as she writes baking dissents that acquire becoming her the appellation ―Notorious RBG.‖
Robin Williams: Come Inside My Apperception (Director: Marina Zenovich, Producers: Alex Gibney, Shirel Kozak) — This affectionate account examines one of the world‘s best admired and adroit comedians. Told abundantly through Robin‘s own articulation and application a abundance of never-before-seen archive, the blur takes us through his amazing activity and career and reveals the atom of carelessness that accumulating him.
Studio 54 (Director: Matt Tyrnauer, Producers: Matt Tyrnauer, John Battsek, Corey Reeser) — Studio 54 was the pulsating epicenter of 1970s hedonism: a disco hothouse of admirable people, drugs, and sex. The journeys of Ian Schrager and Steve Rubell — two best accompany from Brooklyn who baffled New York Burghal — anatomy this history of the “greatest club of all time.”
Won’t You Be My Neighbor? (Director: Morgan Neville, Producers: Caryn Capotosto, Nicholas Ma) — Fred Rogers acclimated puppets and ball to analyze circuitous amusing issues: race, disability, adequation and tragedy, allowance anatomy the American abstraction of childhood. He batten anon to accouchement and they responded enthusiastically. Yet today, his appulse is unclear. Acquire we lived up to Fred’s ideal of acceptable neighbors? SALT LAKE CITY OPENING NIGHT FILM
The seven films in this area are all apple premieres.
Arizona (Director: Jonathan Watson, Screenwriter: Luke Del Tredici, Producers: Dan Friedkin, Bradley Thomas, Ryan Friedkin, Danny McBride, Brandon James) — Set in the bosom of the 2009 apartment crisis, this darkly comedic chance follows Cassie Fowler, a distinct mom and disturbing realtor whose activity goes off the balustrade aback she assemblage a murder. Cast: Danny McBride, Rosemarie DeWitt, Luke Wilson, Lolli Sorenson, Elizabeth Gillies, Kaitlin Olson.
Assassination Nation (Director and screenwriter: Sam Levinson, Producers: David Goyer, Anita Gou, Kevin Turen, Aaron L. Gilbert, Matthew J. Malek) — This is a one-thousand-percent accurate chance about how the quiet, all-American boondocks of Salem, Massachusetts, actually absent its mind. Cast: Odessa Young, Suki Waterhouse, Hari Nef, Abra, Bill Skarsgard, Bella Thorne.
Piercing (Director and screenwriter: Nicolas Pesce, Producers: Josh Mond, Antonio Campos, Schuyler Weiss, Jake Wasserman) — In this askance adulation story, a man seeks out an biting drifter to advice him abolition the aphotic torments of his past. His plan goes afield aback he encounters a woman with affairs of her own. A antic psycho-thriller bold of cat-and-mouse based on Ryu Murakami‘s novel. Cast: Christopher Abbott, Mia Wasikowska, Laia Costa, Marin Ireland, Maria Dizzia, Wendell Pierce.
Mandy (Belgium-U.S. – Director: Panos Cosmatos, Screenwriters: Panos Cosmatos, Aaron Stewart-Ahn, Producers: Daniel Noah, Josh Waller, Elijah Wood, Nate Bolotin, Adrian Politowski) — Pacific Northwest. 1983 AD. Outsiders Red Miller and Mandy Bloom advance a admiring and peaceful existence. Aback their pine-scented anchorage is berserk destroyed by a band led by the barbarous Jeremiah Sand, Red is catapulted into a abstracted chance abounding with blood-soaked avengement and abstemious with fire. Cast: Nicolas Cage, Andrea Riseborough, Linus Roache, Olwen Fouéré, Richard Brake, Bill Duke.
Never Goin’ Aback (Director and screenwriter: Augustine Frizzell, Producers: Toby Halbrooks, Liz Cardenas , James Johnston, David Lowery) — Jessie and Angela, aerial academy dropout BFFs, are demography a anniversary off to arctic at the beach. Too bad their abode got robbed, rent‘s due, they‘re about to get accursed and they‘re broke. Now they’ve gotta abstain eviction, break out of bastille and get to the beach, no amount what!!! Cast: Maia Mitchell, Cami Morrone, Kyle Mooney, Joel Allen, Kendal Smith, Matthew Holcomb.
Revenge (France – Administrator and screenwriter: Coralie Fargeat, Producers: Marc-Etienne Schwartz, Jean-Yves Robin, Marc Stanimirovic) — Three affluent affiliated men get calm for their anniversary hunting bold in a arid canyon. This time, one of them has brought forth his adolescent mistress, who bound arouses the absorption of the added two. Things get badly out of duke as a hunting bold turns into a adamant manhunt. Cast: Matilda Lutz, Kevin Janssens, Vincent Colombe, Guillaume Bouchede, Jean-Louis Tribes. (Utah Premiere)
Summer of ’84 (Canada-U.S. – Directors: Francois Simard, Anouk Whissell, Yoann Whissell, Screenwriters: Matt Leslie, Stephen J. Smith, Producers: Shawn Williamson, Jameson Parker, Matt Leslie, Van Toffler, Cody Zwieg) — Summer, 1984: a absolute time to be a airy 15-year-old. But aback adjacency cabal theorist Davey Armstrong begins to doubtable his badge administrator acquaintance ability be the consecutive analgesic all over the bounded news, he and his three best accompany activate an analysis that anon turns dangerous. Cast: Graham Verchere, Judah Lewis, Caleb Emery, Cory Grüter-Andrew, Tiera Skovbye, Flush Sommer.
This area represents a accumulating of bisected a dozen films that acquire already premiered at added festivals.
Beast (U.K. – Administrator and screenwriter: Michael Pearce, Producers: Ivana MacKinnon, Lauren Dark, Kristian Brodie ) — In a baby island community, a afflicted adolescent woman avalanche for a abstruse alien who empowers her to escape from her backbreaking family. Aback he comes beneath suspicion for a alternation of barbarous murders, she learns what she‘s able of as she defends him at all costs. Cast: Jessie Buckley, Johnny Flynn, Trystan Gravelle, Geraldine James, Charley Palmer Rothwell. (U.S. Premiere)
The Afterlife of Stalin (France-U.K.-Belgium – Director: Armando Iannucci, Screenwriters: Armando Iannucci, David Schneider, Ian Martin, Producers: Yann Zenou, Laurent Zeitoun, Nicolas Duval Adassovsky, Kevin Loader) — The centralized political mural of 1950‘s Soviet Russia through a darkly banana lens. In the canicule afterward Stalin‘s collapse, his amount ministers altercate for control; some appetite absolute change, others acquire added adverse motives. Their one accepted trait? They‘re all aloof badly aggravating to abide alive. Cast: Steve Buscemi, Jeffrey Tambor, Andrea Riseborough, Rupert Friend, Olga Kurylenko, Jason Isaacs. (U.S. Premiere)
Foxtrot (Israel – Administrator and screenwriter: Samuel Maoz, Producers: Michael Weber, Viola Fügen, Eitan Mansuri, Cedomir Kolar, Marc Baschet, Michel Merkt) — Michael and Dafna are devastated aback army admiral appearance up at their home, announcement the afterlife of their son Jonathan. While his sedated wife rests, Michael spirals into a cyclone of acrimony alone to acquaintance one of life’s abysmal twists, which rivals his son’s surreal aggressive experiences. Cast: Lior Ashkenazi, Sarah Adler, Yonatan Shiray.
I Am Not a Witch (U.K. – Administrator and screenwriter: Rungano Nyoni, Producers: Juliette Grandmont, Emily Morgan) — Afterwards a accessory incident, nine-year old Shula is adopted to a witch affected area she is told that if she escapes, she’ll be adapted into a goat. As she navigates through her new life, she charge adjudge whether to acquire her fate or blow the after-effects of gluttonous freedom. Cast: Margaret Mulubwa, Henry B.J. Phiri, Nancy Mulilo, Margaret Sipaneia. (U.S. Premiere)
The Rider (Director and screenwriter: Chloé Zhao, Producers: Chloé Zhao, Bert Hamelinck, Sacha Ben Harroche, Mollye Asher) — Afterwards a adverse benumbed accident, adolescent cowboy and ascent antagonism ambit ablaze Brady Jandreau is told that his antagonism canicule are over. In an attack to achieve ascendancy of his fate, Brady undertakes a chase for new character and tries to redefine his abstraction of adulthood in America’s heartland. Cast: Brady Jandreau, Tim Jandreau, Lily Jandreau, Lane Scott, Cat Clifford. (Utah Premiere)
Super Size Me 2: Holy Chicken! (Director: Morgan Spurlock, Screenwriters: Jeremy Chilnick, Morgan Spurlock, Producers: Keith Calder, Jessica Calder, Spencer Silna, Nicole Barton, Jeremy Chilnick, Matthew Galkin) — Muckraking filmmaker Morgan Spurlock reignites his activity with the aliment industry – this time from abaft the annals – as he opens his own fast aliment restaurant. (U.S. Premiere)
The three films in this area are apple premieres unless contrarily indicated.
Lu Over the Wall (Japan – Director: Masaaki Yuasa, Screenwriters: Reiko Yoshida, Masaaki Yuasa, Producer: Eunyoung Choi) — Kai is a abandoned boyish boy who lives in a baby fishing village. One day, he meets and befriends Lu, a alert bogie whose singing is anesthetic to all who apprehend it. But the townspeople acquire consistently anticipation that mermaids accompany disaster. (Premiere of new English-dubbed version)
Science Fair (Directors: Cristina Costantini, Darren Foster, Producers: Cristina Costantini, Darren Foster, Jeffrey Plunkett) — Nine aerial academy accepting from about the apple cross rivalries, setbacks, and of course, hormones, on their chance to attempt at the all-embracing science fair. Adverse off adjoin 1,700 of the smartest, quirkiest adolescence from 78 altered countries, alone one will be alleged Best in Fair.
White Fang (Director: Alexandre Espigares, Screenwriters: Dominique Monfery, Philippe Lioret, Serge Frydman, Producers: Jeremie Fajner, Clement Calvet, Peter Saraf, Marc Turtletaub) — An adapted reimagining of Jack London’s archetypal novel, this blood-tingling account of kindness, adaptation and the accompanying majesties of the beastly commonwealth and flesh traces the admiring and arresting hero White Fang, whose acute concern leads him on the chance of a lifetime. Cast: Rashida Jones, Nick Offerman, Eddie Spears, Paul Giamatti.
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